Sandhill Crane Viewing this Weekend!

For the 17th year, the Cherokee Heritage and Sandhill Crane Viewing Days will have a presence at Birchwood Elementary school in Birchwood, TN and the Hiwassee State Wildlife Refuge.

This year's event is organized by the Birchwood School, area volunteers and Meigs County Tourism Council.

Although, it won't feel the same without participation from the Tennessee Wildlife Resources Agency, who experienced budget cuts this season, in a recent conversation with Dan Hicks, Region III spokesperson, Dan said he expects their participation to return to full swing for next year. This season they are surveying the waterfowl and sandhill cranes for migration and feeding patterns to obtain more information about food plantings and the scheduling of the 2009 festival.The event will be held on Saturday and Sunday this weekend and there will be exhibits, food, presentations and lots of wildlife viewing!

I will be exhibiting my sandhill crane and whooping crane watercolor notecards, prints, gourd art and jewelry. I will also have plenty of information on hand about the history of greater sandhill cranes in Tennessee, the re-introduction of the endangered whooping crane to the eastern flyway and Operation Migration's current ultralight migration.

If you're going to be in the area, come by my exhibit and say 'hello'!

Gourd Art and Whooping Cranes

My kitchen has been transformed into a studio, the table filled with unfinished gourd art and pine needles ready for coiling. Not that the kitchen ever poses as a domestic center, anyway. It more closely resembles a studio much of the time as projects come and go.
Earlier in the week, the same table was scattered with ink illustrations for an exciting children’s book project that I will return to later. But for now, it’s exhibit time, time to finish up and organize the art that will travel with me next week, to the Whooping Crane Wildlife Festival in Necedah, WI.
There I will reunite with whooping crane enthusiasts around the country and with Operation Migration’s crew and staff. If the weather cooperates, we’ll all visit the observation tower to watch this year’s juvenile whooping cranes in flight training over the Necedah NWR wetlands as they follow ultralight aircraft piloted by Operation Migration crew members.The photos above and below were taken at a flight training in September of 2007 as I stood at ground level beside the observation tower. The young trainees were hugging the ground that morning with pilot Brook Pennypacker encouraging them to a higher altitude.
It is a thrill to see these fledged juveniles and to witness an endangered species being aided by these innovative efforts.

Detail of unfinished pine needle coil on a hard shell gourd basket.

Below, woodburned sandhill crane art on small hardshell gourds, ready to be coiled.
Detail of art on the bottom of a piece with date and signature.

Coiled Pine Needle Rim on Gourd -- Coiling Tutorial

Coiling Supplies

1) Hand awl for piercing holes

2) Artificial sinew

3) Long leaf pine needles with caps still attached

Single Needle Pine Needle Coiling

1. Soak Pine needles in boiling hot water for 30 minutes. Wrap in towel overnight. Pine needles will remain moist and pliable for three to four days. Desired moistness of needles depends on personal preference. However, if the needles are too wet the stitches will become loose when needles dry. Moist to dry needles secured with a firm stitch will create a firm coil.

2. Pierce holes in rim of gourd approximately 3/8 inch from rim edge and 3/8 inch apart. (Use your “little” finger width for a guide). Wider spacing (width of index finger) is required for insertion of two needles. These instructions are for the insertion for one needle per stitch.

3. Thread artificial sinew through your needle. Artificial sinew is waxed thread that can be split into thinner strips, much like dividing embroidery thread. You may use any thickness of thread that suits your taste. Select the front of your piece, then select a starting place 1/4 a turn back to the left. Tie a starting knot by inserting the needle from the outside through a hole and pulling the thread to the inside; bring the threads up near the end of your thread and tie a knot. Position the knot on the inside of the gourd.

4. Begin coiling by holding a pine needle against the rim between two holes and stitching a stitch across the fascicle (cap) and into the next hole. This will create a diagonal stitch across the fascicle.

Moving from right to left, continue around the rim adding a pine needle each time you make a stitch. Place each needle below the previous needle with the needles angled upward slightly to create a smooth coil.

5. When you reach the beginning of the first coil, begin the second coil by placing the needle on top of and even with the first pine needle. You will insert the sewing needle into the same hole of the first stitch. Continue to stitch into the hole for three to four stitches until the coil builds enough to allow you to insert the sewing needle between the pine needles of the coil and secure it to the coil. To lock the stitch and create uniformity, insert the needle on the left side of the stitch that preceded it on the coil below.

6. When you run out of thread, make a loop knot by inserting the needle back under the stitch and pulling the knot snuggly to the back side of the coil. Then insert the needle back through the coil toward the front, being careful to go between the needles rather than piercing a needle. Cut the end thread close to the pine needle coil and if visible tuck in with the tip of the sewing needle. Begin the next stitch by tying the thread to the next stitch in the coil beneath and pull the knot through to the inside between the two coils to the right of the stitch. Take the second stitch by coming over the coil, crossing over the added pine needle and inserting the needle over (to the left) of the stitch of the coil beneath it.

7. When your coil reaches its starting point, you will have two rows of pine needles placed completely around the rim. Continue to stitch as previously without adding pine needles, rolling the coil toward the inside. As you continue this process, the number of needles will thin and you will continue to make stitches securing the ending coil toward the inside until you run out of needles. Tie off the thread pulling the knot to the inside and securing the end by pulling your thread to the front side of the coil, coming between pine needles. Snip off this end thread close to the coil and tuck any thread that is visible. Tuck or snip any pine needles that look untidy.

Helpful Resource Links:
Pyroengraving Art or Woodburning an Art Design 
Judy Mallow, pine needle coiling artist, at Prime Pines

What Matters

"...what truly matters in the making of art is not what the final piece looks like or sounds like, not what it is worth or not worth, but what newness gets added to the universe in the process of the piece itself becoming.” Jan Phillips, The Artist’s Creed