Friday, February 29, 2008
Thursday, February 28, 2008
Saturday, February 23, 2008
2. Pierce holes in rim of gourd approximately 3/8 inch from rim edge and 3/8 inch apart. (Use your “little” finger width for a guide). Wider spacing (width of index finger) is required for insertion of two needles. These instructions are for the insertion for one needle per stitch.
3. Thread artificial sinew through your needle. Artificial sinew is waxed thread that can be split into thinner strips, much like dividing embroidery thread. You may use any thickness of thread that suits your taste. Select the front of your piece, then select a starting place 1/4 a turn back to the left. Tie a starting knot by inserting the needle from the outside through a hole and pulling the thread to the inside; bring the threads up near the end of your thread and tie a knot. Position the knot on the inside of the gourd.
4. Begin coiling by holding a pine needle against the rim between two holes and stitching a stitch across the fascicle (cap) and into the next hole. This will create a diagonal stitch across the fascicle.
7. When your coil reaches its starting point, you will have two rows of pine needles placed completely around the rim. Continue to stitch as previously without adding pine needles, rolling the coil toward the inside. As you continue this process, the number of needles will thin and you will continue to make stitches securing the ending coil toward the inside until you run out of needles. Tie off the thread pulling the knot to the inside and securing the end by pulling your thread to the front side of the coil, coming between pine needles. Snip off this end thread close to the coil and tuck any thread that is visible. Tuck or snip any pine needles that look untidy.
Pyroengraving Art or Woodburning an Art Design
Judy Mallow, pine needle coiling artist, at Prime Pines
Thursday, February 21, 2008
Wednesday, February 20, 2008
Visit Stephen Lyn's blog, Nature Calling!
I feel very fortunate that I have only to look out my window or stop to listen for a moment to discover one of these lively sprites. Besides their incessant chant, tche de de de, tche de de de, their acrobatics never fail to delight. As much trapeze artist as persistent vocalist, these energetic gems are cheerful neighbors in the waning days of winter.
Tuesday, February 19, 2008
Monday, February 18, 2008
Nov 29, 2007, morning pages, Vickie Henderson
Monday, February 11, 2008
Sunday, February 10, 2008
The original flock of migrating whooping cranes winter along the coast of Texas on the Aransas-Matagorda Island NWR and have reached a record number of 266.
Thursday, February 7, 2008
Last night I opened the book to the section entitled, “Make statements and Answer Questions.” In this section she brings to light a study that shows that women and minorities often use qualifiers in their statements, words that ask for reinforcement and encouragement, rather than using a clear and affirming voice. She writes: “After I read the article, I went home and looked at a poem I had just written. I made myself take out all vague, indefinite words and phrases. It felt as though I were pulling towels off my body, and I was left standing naked after a shower, exposing who I really was and how I felt. It was scary the first time, but it felt good. It made the poem much better.”
We all know what this nakedness feels like. We know it best in the form of early encounters that caused fear or humiliation and these experiences often shut down our voice at an early age. But truth is, there are no constants and opinions are as varied as the autumn leaves. We each have our own unique way of seeing the world and of creating and expressing ourselves. No one expression is any more valid or valuable than another.
Drawing and writing practice can help overcome the fear of exposure. To expose your thoughts and feelings on paper can be unnerving at first. To present them to others, even more so. But with practice, you will find your voice. You can’t help it.
Wednesday, February 6, 2008
Upside down practice makes us look more carefully at what's really there. And the more we practice, the more the lines and spaces are loaded into our brain. The sketch above started upside down and got worked over right side up--several times. There was something about the shapes and the angle of the calf's head that I couldn't quite get so I continued to change it until I was ready to try another one.
I liked the angle of the baby's head better in the next upside-down drawing, below. (To see the reference photo, click and scroll to the bottom photo: "upside down--on purpose") So I added a little watercolor and ink. Now that I look at the image, I see that I focused on the Mom's face more with the watercolor and barely dabbled on the baby's face. A little bit of gratitude to Mom for being easier to draw? I think so. Actually, I think Mom's face is more interesting.
Fortunately, our unconscious jumps in there and does some of the work--in art, in writing and in our daily lives. I wasn't paying any attention to the composition, just working on the shapes, especially the calf. But Mom is actually the focus of the interaction in this image. And she gave me the greatest satisfaction. Somehow it shows!
Saturday, February 2, 2008
Learning to turn off that editor in order to fully access the intuitive, creative mind is an important skill to practice, one that expands possibilities and allows creativity to develop. Likewise, learning to change our other limiting and damaging self-critical beliefs is equally as importance to our over-all health and happiness.
And so I said, to my client, “Do you ever draw?” The answer came, “Heavens, no! I can’t draw a stick.” And that’s what she believed. “Okay, then let’s see if you are right about that.” And I suggested that she find a photograph of herself or a friend and turn it upside down, then draw the lines she saw there to see what happened. The next time she returned, she brought her drawings and expressed surprise at how much better her upside-down drawing appeared than her right-side-up attempt.
This wonderful exercise comes from Drawing on the Right side of the Brain, by Betty Edwards, an insightful book that can jump start your drawing skills and disprove the myths you believe about your ability to draw.
What happened to me and happens to everyone who tries this is, “the left brain goes to sleep”. The left brain, even though this designation is over simplified, holds our rules, our order, symbols, our beliefs and, of course, our self-criticism. When you turn the picture upside down, the left brain says, “Oh, that is foolish,” and as a result, ‘beliefs’ about what the drawing should look like disappear. In the absence of expectations, self-criticism stops. And the next thing you know, you are just seeing the lines and following them around the page with your pencil.
Now wouldn’t it be nice if we could do this with all our self-critical thoughts?
Today's upside down drawing. I haven't done this in a while. I'm still surprised by the results.I'll have to try that baby face again. Fun.
For the Love of It...